Invitation for Sai Satsang on May 10, 2009 at Rohini, Delhi

Sai brother Dharminder has sent me invitation for Sai Satsang to be organised in Rohini, Delhi on May 10, 2009. He has invited everyone (for whom it is possible) to take part in this Satsang. Forwarding the details which he sent to me. Jai Sai Ramji…Sai Ki Deewani — Hetal Patil

OM SAI RAM!!!

DEAR SAI DEVOTEES,

WITH BABA’S PERMISSION AND BLESSINGS WE ( 8 FAMILIES IN ROHINI ) STARTED SUNDAY SAI SATSANG WHICH IS VERY UNIQUE IN ITSELF AS EXPLAINED BELOW

THIS SAI SATSANG IS VERY POWERFUL TOOL TO MEDITATE ON BABA’S FORM.

TODAY THIS SATSANG IS BEING PERFORMED IN VARIOUS STATES ACROSS INDIA.

SUNDAY SAI SATSANG WAS CONCEIVED WITH THE FOLLOWING IDEAS

• ALL DEVOTEES TO PARTICIPATE EQUALLY, SING BABA’S LEELA’S TO MAKE IT A REAL SATSANG.
• GET INVOLVED IN EVERY BHAJAN AND CONNECT IT TO YOUR LIFE.
• MEDITATE ON BABA’S FORM, EXPERIENCE BABA’S DIVINE BLISS, GRACE AND PRESENCE WHILE THE SATSANG IS ON.

VENUE: SATYAM SHIVAM SUNDRAM TEMPLE, SECTOR-9, ROHINI

DURATION : 2 HOURS FROM 10 AM TO 12 NOON

METHODOLOGY :

LAPTOP IS CONNECTED TO HOME THEATER. BABA’S POOJA AND BHAJANS ARE PLAYED ONE BY ONE AND DEVOTEES SING ALONG THESE BHAJANS.

SATSANG DETAILS :

DEVOTEES ARE GIVEN A FOLDER IN WHICH SAI BHAJANS, SAI POOJA IS PRINTED. DEVOTEES READ AND SING ALONG WHEN THESE PARTICULAR BHAJAN/POOJA IS PLAYED IN THE SURROUND SYSTEM.

1. SATSANG STARTS BY PLAYING SAI DHUN FOR 2-3 MINUTES :
( SHIRDI VASAY VIDMAHEY – SACHIDANANDA DE MAHEE- TANO SAI PRACHODYA )

DESCRIPTION : WHILE THIS DHUN IS PLAYED ON THE SURROUND SYSTEM, DEVOTEES ARE REQUESTED TO IMAGINE THAT THEY ARE IN YEAR 1910 AND ARE SITTING IN DWARKAMAI WITH BABA SITTING ON SHILA.
OBJECTIVE : DEVOTEES TO MEDITATE ON BABA’S FORM.
THEN….

2. UTHA UTHA SAKAL JANA IS PLAYED IN THE SURROUND SYSTEM

3. GHAN SHYAM SNDARA IS PLAYED IN THE SURROUND SYSTEM

4. FOLLOWING BABA’S POOJA ( WHICH WAS WRITTEN BY FEW DEVOTEES IN THE YEAR 1968 ) IS PLAYED IN THE SURROUND SYSTEM
a. NAMESTEY DIVYA ROOPAYEH, NAMESTEY SATYA MURTEYAH
b. 108 NAMAVALI
c. GANESH POOJA
d. STANZA FROM DAG GANU’S SAI STAVAN MANJARI – SHANTCHITYA MAHA PRAGYA SAI NATHA DAYA GHANA….

6-7 SELECTED BHAJANS ( IN WHICH DEVOTES ARE ASKING FOR BABA’S PARDON AND BLESSINGS) OUT OF BHAJANS LISTED BELOW ARE PLAYED IN THE SURROUND SYSTEM.

DEVOTEES SING ALONG THESE BHAJANS AND RELATE THEM TO THEIR REAL LIFE AND FEEL IMMEDIATE CONNECTIVITY WITH BABA.

a. SAI REHAM NAZAR KARNA
b. SAI NAATH DAYA KAR KE
c. ITNE AAJ DUA DE BABA
d. JAISE BHEE HEIN AB TOO TERE HEIN SAI
e. KYA MANGOON SAI RAM
f. MERA AAP KE KRIPA SE SAB KAAM HO RAHA HAI
g. MUAF KARNA GUNAH MERE
h. DAYA KARO MERE SAI
……..ETC ETC

5. BABA’S PRARTHNA TAKEN FROM CHAPTER 25 OF SAI SATCHARITA ( MUST FOR ALL SAI DEVOTEES ) IS PLAYED IN THE SURROUND SYSTEM.
DEVOTEES PRAY TO BABA WITH FOLDED HANDS WHILE THIS PRARTHNA IS BEING PLAYED AND GET CONNECTED WITH BABA.

6. OM SHRI SAI NATAHY NAMAH IS PLAYED ON THE SURROUND SYSTEM.
DEVOTEES MEDITATE ON BABA’S FORM BY IMAGINING THAT THEY ARE IN YEAR 1910 AND ARE SITTING IN DWARKAMAI WITH BABA SITTING ON SHILA

7. LOBAN IS CIRCULATED IN THE MEDITATION HALL AND MADHYANTAR AARTI IS PLAYED AND SUNG BY ALL DEVOTEES.

THIS MARKS THE END OF SATSANG.

CODE OF CONDUCT TO BE FOLLOWED IN SUNDAY SAI SATSANG

1. DEVOTEES ARE REQUESTED TO REACH SATSANG HALL AT 9:45 AM

2. DEVOTEES ARE REQUESTED TO BE SEATED BY 10:00 AM AS SATSANG STARTS SHARP AT 10:00 AM. AND AARTI IS PERFORMED SHARP AT 12 NOON FOLLOWED BY PRASAD.

3. SATSANG HALL IS BOLTED AT 10:05AM POST WHICH ENTRY INTO HALL IS NOT ALLOWED.

4. DEVOTEES ARE REQUESTED TO SIT IN A STRAIGHT QUEUE LIKE SCHOOL CHILDREN FACING BABA ONLY FROM FRONT TO BACK.

5. WHILE SATSANG IS ON NO DEVOTEE IS SUPPOSED TO MAKE ANY EYE TO EYE CONTACT WITH FELLOW DEVOTEES SITTING ON THIER LEFT OR RIGHT AS THIS DISTURBS DEVOTEE’S CONNECTIVITY WITH BABA.

6. WHILE SATSANG IS ON NO DEVOTEE IS SUPPOSED TO ATTEND ANY CELL PHONE CALL

7. DEVOTEES ARE REQUESTED TO CONCENTRATE ON BABA’S FORM/FEET/EYES ONLY OR CLOSE THEIR EYES WHILE THE SATSANG IS ON, GO BACK IN YEAR 1910 AND REALISE AS IF THEY ARE SITTING IN DWARKAMAI WITH BABA SITTING ON HIS SHILA SHOWERING HIS GRACE ON US.

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